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X-WR-CALNAME:\"A Journey in Landscapes\" - An Abstract View: Works by Kate 
 Meyer Fitzpatrick
BEGIN:VEVENT
UID:239212024-11-30
DTSTART;VALUE=DATE:20241130
SEQUENCE:0
TRANSP:OPAQUE
DTEND;VALUE=DATE:20241201
SUMMARY:\"A Journey in Landscapes\" - An Abstract View: Works by Kate Meyer
  Fitzpatrick
CLASS:PUBLIC
DESCRIPTION:“Each painting is a remembered moment\, a glimpse of a feelin
 g evoked\nby being in the landscape. I take a journey within my process an
 d\nstart to see abstracted shapes\, shadows and objects in my\nsurrounding
 s. I stretch those observations to simple form as well as\nthe colors seen
  and unseen. I want the viewer to take their own\njourney within the work.
  To feel something they can’t quite put\ntheir finger on. A sense beneat
 h the calm. A sense of place. The\nwonderful thing about Abstraction is th
 at it allows you to explore and\nexpress your feelings\, giving you the op
 portunity to shape something\nout of nothing\; you create atmosphere\, moo
 d\, place\, all out of a white\ncanvas. These are exercises in experimenta
 tion\, which prepare me for\nthe moment of chance on canvas. I begin to se
 e something in the\nimage….the experience of the landscape. Abstraction\
 , of course is\nnever completely abstract\; there is the origin of an idea
 \, an\ninspiration\, a journey of process.   I work primarily in oils &\
 nwatercolor. In my oil paintings\, I use both remade color and color I\nmi
 x on my own using dry pigment. I also use pigment to enhance color\nand hu
 e. In watercolor\, I use both wet & dry brush techniques to\ncreate textur
 e and depth of color. In all of my work\, I start in plain\nair using wate
 rcolor. Then that will move into oils on small canvas\nfor studies\, befor
 e moving onto large canvases or multiple canvases\nfor diptychs & triptych
 s.\" Venue: Rehoboth Art League.
X-ALT-DESC;FMTTYPE=text/html:“Each painting is a remembered moment\, a gl
 impse of a feeling evoked by being in the landscape. I take a journey with
 in my process and start to see abstracted shapes\, shadows and objects in 
 my surroundings. I stretch those observations to simple form as well as th
 e colors seen and unseen. I want the viewer to take their own journey with
 in the work. To feel something they can’t quite put their finger on. A s
 ense beneath the calm. A sense of place. The wonderful thing about Abstrac
 tion is that it allows you to explore and express your feelings\, giving y
 ou the opportunity to shape something out of nothing\; you create atmosphe
 re\, mood\, place\, all out of a white canvas. These are exercises in expe
 rimentation\, which prepare me for the moment of chance on canvas. I begin
  to see something in the image….the experience of the landscape. Abstrac
 tion\, of course is never completely abstract\; there is the origin of an 
 idea\, an inspiration\, a journey of process.   I work primarily in oils
  & watercolor. In my oil paintings\, I use both remade color and color I m
 ix on my own using dry pigment. I also use pigment to enhance color and hu
 e. In watercolor\, I use both wet & dry brush techniques to create texture
  and depth of color. In all of my work\, I start in plain air using waterc
 olor. Then that will move into oils on small canvas for studies\, before m
 oving onto large canvases or multiple canvases for diptychs & triptychs.\"
  Venue: Rehoboth Art League.
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DTSTAMP:20260919T100333Z
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