BEGIN:VCALENDAR
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PRODID:SoDel
X-WR-CALNAME:Elvis Costello & The Imposter
BEGIN:VEVENT
UID:144212022-08-19
DTSTART:20220819T230000Z
SEQUENCE:0
TRANSP:OPAQUE
DTEND:20220819T040000Z
LOCATION:31806 Lake View Drive\nSelbyville DE 19975
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=31806 Lake View Drive\nSelb
 yville DE 19975;X-APPLE-RADIUS=49;X-TITLE=31806 Lake View Drive:geo:38.465
 810,-75.112030
GEO:38.465810;-75.112030
SUMMARY:Elvis Costello & The Imposter
CLASS:PUBLIC
DESCRIPTION:Elvis Costello began writing songs at the age of thirteen. 2017
  marked\nthe 40th  anniversary of the release his first record album\, 
 “My\nAim Is True.” He is perhaps best known for the songs\, “Alison\
 ,”\n“Pump It Up\,” “Everyday I Write The Book” and his rendition
  of\nthe Nick Lowe song\, “(What’s So Funny ‘Bout) Peace Love and\nU
 nderstanding.” His record catalogue of more than thirty albums\nincludes
  the contrasting pop and rock & roll albums\, “This Year’s\nModel\,”
  ”Armed Forces\,” “Imperial Bedroom\,” “Blood and\nChocolate” 
 and “King Of America” along with an album of country\ncovers\, “Almo
 st Blue” and two collections of orchestrally\naccompanied piano ballads\
 , “Painted From Memory” — with Burt\nBacharach and “North.” He h
 as performed worldwide with his bands\,\nThe Attractions\, His Confederate
 s — which featured two members of\nElvis Presley’s “T.C.B” band 
 — and his current group\, The\nImposters — Steve Nieve\, Pete Thomas a
 nd Davey Faragher — as well\nas solo concerts\, most recently his acclai
 med solo show\, “Detour.”\nCostello has entered into songwriting colla
 borations with Paul\nMcCartney\, Burt Bacharach\, the Brodsky Quartet and 
 with Allen\nToussaint for the album “The River In Reverse\,” the firs
 t major\nlabel recording project to visit New Orleans after Hurricane Katr
 ina\nand completed there while the city was still under curfew. In 2003\,\
 nCostello acted as lyrical editor of six songs written with his wife\,\nth
 e jazz pianist and singer Diana Krall for her album “The Girl In\nThe Ot
 her Room.” He has written lyrics for compositions by Charles\nMingus\, 
 Billy Strayhorn and Oscar Peterson and musical settings for\nwords by W.B.
  Yeats and Bob Dylan. Costello’s songs have been\nrecorded by a great nu
 mber of artists\, including\, George Jones\, Linda\nRonstadt\, Georgie Fam
 e\, Chet Baker\, Johnny Cash\, June Tabor\, Roy\nOrbison\, Dusty Springfie
 ld\, Robert Wyatt\, Anne Sofie von Otter\,\nSolomon Burke and Darlene Love
 . During his career\, Costello has\nreceived numerous prestigious honors\,
  including two Ivor Novello\nAwards for songwriting\, a Dutch Edison Award
  with The Brodsky Quartet\nfor “The Juliet Letters\,” the Nordoff-Rob
 bins Silver Clef Award\,\na BAFTA for the music written with Richard Harve
 y for Alan\nBleasdale’s television drama series “G.B.H.” and a Gramm
 y for\n“I Still Have That Other Girl” from his 1998 collaboration with
 \nBurt Bacharach\, “Painted From Memory.” Elvis Costello and The\nAttr
 actions were inducted into the Rock and Roll Hall of Fame in 2003.\nIn the
  same year\, Costello was awarded ASCAP’s prestigious\nFounder’s Award
 . In 2004\, Costello was nominated for an Oscar for\nBest Song – “The 
 Scarlet Tide\,” co-written with T Bone Burnett\nand sung by Alison Kraus
 s in the motion picture “Cold Mountain.”\nIn 2016\, Elvis Costello was
  inducted into the Songwriter’s Hall of\nFame in the company of Chip Tay
 lor and Tom Petty. Costello’s first\nfull-length orchestral work\, “Il
  Sogno” was commissioned in 2000\nby the Italian dance company\, Aterbal
 letto\, for their adaptation of\nShakespeare’s “A Midsummer Night’s 
 Dream” and the score\nsubsequently recorded by The London Symphony Orche
 stra\, conducted by\nMichael Tilson- Thomas and released by Deutsche Gramm
 ophon\, staying at\nthe top of Billboard’s Contemporary Classical Charts
  for 14 weeks of\n2004. This release led in turn to a series of orchestral
  concert\nperformances with a number of the world’s great symphonic\norc
 hestras\, opening with a suite from “Il Sogno” conducted by Alan\nBroa
 dbent and closing with a selection of Costello songs arranged for\nvoice\
 , the piano of Stebe Nieve and orchestra. Nevertheless\, Costello\nclosed 
 out 2007 by appearing solo as the middle act on “The Bob\nDylan Show” 
 for 28 dates. In December 2008\, Sundance Channel and CTV\nlaunched Costel
 lo’s internationally renowned music television series\n“Spectacle” w
 hich ran for twenty episodes over two seasons\,\noffering intimate convers
 ions and unique musical performances with\nguests including\, Sir Elton Jo
 hn\, President Bill Clinton\, Tony\nBennett\, Lou Reed\, Smokey Robinson\,
  The Police\, Herbie Hancock\, Bono &\nThe Edge\, Levon Helm\, John Prine\
 , James Taylor\, Jesse Winchester and\nBruce Springsteen. Through 2009 and
  2010\, Costello toured with the\nlargely acoustic ensemble\, The Sugarcan
 es\, featuring\, Jerry Douglas\,\nJim Lauderdale\, Stuart Duncan\, Mike Co
 mpton\, Jeff Taylor and Dennis\nCrouch\, all of whom had appeared on\, “
 Secret\, Profane &\nSugarcane\,” recorded by T Bone Burnett during a th
 ree-day session\nat Nashville's Sound Emporium Studio. The Sugarcanes also
  appeared on\nthe 2010 album\, “National Ransom” alongside the Imposte
 rs\, Marc\nRibot and guest stars\, Vince Gill and Leon Russell\, featuring
  the\nenduring spiritual narratives\, “Jimmie Standing In The Rain\,”\
 n“Church Underground” and “A Voice In The Dark.” September\n2013: 
 Blue Note Records released the album “Wise Up Ghost”\,\nwritten by Cos
 tello with Questlove and producer\, Steven Mandel and\nrecorded with the R
 oots and the orchestral arranger\, Brent Fischer.\nFrom 2011-2014: Having 
 recorded the albums\, “When I Was Cruel\,”\n“The Delivery Man” and
  “Momofuku” together since 2002\, Elvis\nCostello and The Imposters 
 — Steve Nieve\, Pete Thomas and Davey\nFaragher — toured for four year
 s with “The Spectacular Spinning\nSongbook\,” employing a 20-foot gam
 e-show wheel with which audience\nmembers selected the next song to be per
 formed. In 2014\, Elvis was\nalso part of the New Basement Tapes ensemble 
 with Marcus Mumford\, Jim\nJames\, Rhiannon Giddens and Taylor Goldsmith f
 or the T Bone Burnett\nproduced album “Lost on the River” offering the
  participant’s\nnewly composed musical settings of previously undiscover
 ed Bob Dylan\nlyrics from 1967. In 2015\, the Penguin/Blue Rider imprint p
 ublished\nCostello’s nuanced and evocative memoir\, “Unfaithful Music 
 and\nDisappearing Ink” while he was appearing in “Detour” a largely\
 nsolo performance — although frequently augmented by Rebecca and\nMegan 
 Lovell of Larkin Poe — in which anecdotes were connected to\nsongs on th
 e cue of archival photographs\, cartoons and other visual\noddities projec
 ted onto a giant vintage-style television set. This\npresentation recently
  concluded after 106 shows in 20 countries. March\n2017 marked the release
  of a special edition of Paul McCartney’s\n“Flowers In The Dirt\,” 
 the 1989 album which included four from\nthe 15 songs written by the McCar
 tney/MacManus partnership\, including\nthe hit single\, “My Brave Face
 ” and Costello’s contemporaneous\nchart success\, “Veronica” from 
 his album “Spike.” The re-issue\nalso includes a dozen demo recordings
  on which Paul and Elvis\naccompany themselves on guitar and piano\, often
  performing in the\ntwo-part vocal harmony in which the songs were origina
 lly composed.\nBoth writers have noted in recent interviews that the origi
 nal demos\nmay have contained some magic that later renditions failed to m
 atch.\nAlso in 2017\, Costello wrote “You Shouldn’t Look At Me That\nW
 ay\,” the end title track for the major motion picture\, Film Stars\nDon
 ’t Die In Liverpool. The film was produced by EON Production’s\nBarbar
 a Broccoli and stars Annette Bening and Jamie Bell. The video\nfor “You 
 Shouldn’t Look At Me That Way” was produced and\ndirected by Mary McCa
 rtney. The song appeared on the deluxe edition of\nCostello’s 2018 album
 \, Look Now. Look Now\, released in October 2018\nby Concord Records\, was
  Costello's’ first collection of new material\nin five years and his fir
 st with The Imposters in a decade. Costello\nworked with co-producer Sebas
 tian Krys at studios in Hollywood\, New\nYork City and Vancouver\, British
  Columbia\, to create an \"uptown pop\nrecord.” In addition to the songs
  Costello wrote\, the album included\na collaboration with Carole King and
  three with Burt Bacharach\, who\nplays piano on two\, “Don’t Look Now
 ” and “Photographs Can\nLie.” In 2019\, Costello released the Purse 
 EP\, consisting of four\nsongs containing songwriting collaborations with 
 Burt Bacharach and\nPaul McCartney\, as well as musical settings of lyrics
  by Johnny Cash\nand Bob Dylan. In the same year\, Costello was: presented
  a Lifetime\nAchievement Award for songwriting\, in Nashville by the Ameri
 cana Music\nAssociation\; awarded an O.B.E. (Officer of the Order of the B
 ritish\nEmpire) for his services to music on the Queens Birthday Honours L
 ist\;\nand announced as a recipient of a Hollywood Walk of Fame star for t
 he\nclass of 2020. Venue: Freeman Arts Pavilion. Presenter: Joshua M.\nFre
 eman Foundation.
X-ALT-DESC;FMTTYPE=text/html:Elvis Costello began writing songs at the age 
 of thirteen. 2017 marked the 40th  anniversary of the release his first r
 ecord album\, “My Aim Is True.” He is perhaps best known for the songs
 \, “Alison\,” “Pump It Up\,” “Everyday I Write The Book” and h
 is rendition of the Nick Lowe song\, “(What’s So Funny ‘Bout) Peace 
 Love and Understanding.” His record catalogue of more than thirty albums
  includes the contrasting pop and rock & roll albums\, “This Year’s Mo
 del\,” ”Armed Forces\,” “Imperial Bedroom\,” “Blood and Chocol
 ate” and “King Of America” along with an album of country covers\, 
 “Almost Blue” and two collections of orchestrally accompanied piano ba
 llads\, “Painted From Memory” — with Burt Bacharach and “North.”
  He has performed worldwide with his bands\, The Attractions\, His Confede
 rates — which featured two members of Elvis Presley’s “T.C.B” band
  — and his current group\, The Imposters — Steve Nieve\, Pete Thomas a
 nd Davey Faragher — as well as solo concerts\, most recently his acclaim
 ed solo show\, “Detour.” Costello has entered into songwriting collabo
 rations with Paul McCartney\, Burt Bacharach\, the Brodsky Quartet and wit
 h Allen Toussaint for the album “The River In Reverse\,” the first ma
 jor label recording project to visit New Orleans after Hurricane Katrina a
 nd completed there while the city was still under curfew. In 2003\, Costel
 lo acted as lyrical editor of six songs written with his wife\, the jazz p
 ianist and singer Diana Krall for her album “The Girl In The Other Room.
 ” He has written lyrics for compositions by Charles Mingus\, Billy Stra
 yhorn and Oscar Peterson and musical settings for words by W.B. Yeats and 
 Bob Dylan. Costello’s songs have been recorded by a great number of arti
 sts\, including\, George Jones\, Linda Ronstadt\, Georgie Fame\, Chet Bake
 r\, Johnny Cash\, June Tabor\, Roy Orbison\, Dusty Springfield\, Robert Wy
 att\, Anne Sofie von Otter\, Solomon Burke and Darlene Love. During his ca
 reer\, Costello has received numerous prestigious honors\, including two I
 vor Novello Awards for songwriting\, a Dutch Edison Award with The Brodsky
  Quartet for “The Juliet Letters\,” the Nordoff-Robbins Silver Clef A
 ward\, a BAFTA for the music written with Richard Harvey for Alan Bleasdal
 e’s television drama series “G.B.H.” and a Grammy for “I Still Hav
 e That Other Girl” from his 1998 collaboration with Burt Bacharach\, “
 Painted From Memory.” Elvis Costello and The Attractions were inducted i
 nto the Rock and Roll Hall of Fame in 2003. In the same year\, Costello wa
 s awarded ASCAP’s prestigious Founder’s Award. In 2004\, Costello was 
 nominated for an Oscar for Best Song – “The Scarlet Tide\,” co-writt
 en with T Bone Burnett and sung by Alison Krauss in the motion picture “
 Cold Mountain.” In 2016\, Elvis Costello was inducted into the Songwrite
 r’s Hall of Fame in the company of Chip Taylor and Tom Petty. Costello
 ’s first full-length orchestral work\, “Il Sogno” was commissioned i
 n 2000 by the Italian dance company\, Aterballetto\, for their adaptation 
 of Shakespeare’s “A Midsummer Night’s Dream” and the score subsequ
 ently recorded by The London Symphony Orchestra\, conducted by Michael Til
 son- Thomas and released by Deutsche Grammophon\, staying at the top of Bi
 llboard’s Contemporary Classical Charts for 14 weeks of 2004. This relea
 se led in turn to a series of orchestral concert performances with a numbe
 r of the world’s great symphonic orchestras\, opening with a suite from 
 “Il Sogno” conducted by Alan Broadbent and closing with a selection o
 f Costello songs arranged for voice\, the piano of Stebe Nieve and orchest
 ra. Nevertheless\, Costello closed out 2007 by appearing solo as the middl
 e act on “The Bob Dylan Show” for 28 dates. In December 2008\, Sundanc
 e Channel and CTV launched Costello’s internationally renowned music tel
 evision series “Spectacle” which ran for twenty episodes over two seas
 ons\, offering intimate conversions and unique musical performances with g
 uests including\, Sir Elton John\, President Bill Clinton\, Tony Bennett\,
  Lou Reed\, Smokey Robinson\, The Police\, Herbie Hancock\, Bono & The Edg
 e\, Levon Helm\, John Prine\, James Taylor\, Jesse Winchester and Bruce Sp
 ringsteen. Through 2009 and 2010\, Costello toured with the largely acoust
 ic ensemble\, The Sugarcanes\, featuring\, Jerry Douglas\, Jim Lauderdale\
 , Stuart Duncan\, Mike Compton\, Jeff Taylor and Dennis Crouch\, all of wh
 om had appeared on\, “Secret\, Profane & Sugarcane\,” recorded by T B
 one Burnett during a three-day session at Nashville's Sound Emporium Studi
 o. The Sugarcanes also appeared on the 2010 album\, “National Ransom” 
 alongside the Imposters\, Marc Ribot and guest stars\, Vince Gill and Leon
  Russell\, featuring the enduring spiritual narratives\, “Jimmie Standin
 g In The Rain\,” “Church Underground” and “A Voice In The Dark.”
  September 2013: Blue Note Records released the album “Wise Up Ghost”\
 , written by Costello with Questlove and producer\, Steven Mandel and reco
 rded with the Roots and the orchestral arranger\, Brent Fischer. From 2011
 -2014: Having recorded the albums\, “When I Was Cruel\,” “The Delive
 ry Man” and “Momofuku” together since 2002\, Elvis Costello and The
  Imposters — Steve Nieve\, Pete Thomas and Davey Faragher — toured for
  four years with “The Spectacular Spinning Songbook\,” employing a 20
 -foot game-show wheel with which audience members selected the next song t
 o be performed. In 2014\, Elvis was also part of the New Basement Tapes en
 semble with Marcus Mumford\, Jim James\, Rhiannon Giddens and Taylor Golds
 mith for the T Bone Burnett produced album “Lost on the River” offerin
 g the participant’s newly composed musical settings of previously undisc
 overed Bob Dylan lyrics from 1967. In 2015\, the Penguin/Blue Rider imprin
 t published Costello’s nuanced and evocative memoir\, “Unfaithful Musi
 c and Disappearing Ink” while he was appearing in “Detour” a largely
  solo performance — although frequently augmented by Rebecca and Megan L
 ovell of Larkin Poe — in which anecdotes were connected to songs on the 
 cue of archival photographs\, cartoons and other visual oddities projected
  onto a giant vintage-style television set. This presentation recently con
 cluded after 106 shows in 20 countries. March 2017 marked the release of a
  special edition of Paul McCartney’s “Flowers In The Dirt\,” the 19
 89 album which included four from the 15 songs written by the McCartney/Ma
 cManus partnership\, including the hit single\, “My Brave Face” and Co
 stello’s contemporaneous chart success\, “Veronica” from his album 
 “Spike.” The re-issue also includes a dozen demo recordings on which P
 aul and Elvis accompany themselves on guitar and piano\, often performing 
 in the two-part vocal harmony in which the songs were originally composed.
  Both writers have noted in recent interviews that the original demos may 
 have contained some magic that later renditions failed to match. Also in 2
 017\, Costello wrote “You Shouldn’t Look At Me That Way\,” the end t
 itle track for the major motion picture\, Film Stars Don’t Die In Liverp
 ool. The film was produced by EON Production’s Barbara Broccoli and star
 s Annette Bening and Jamie Bell. The video for “You Shouldn’t Look At 
 Me That Way” was produced and directed by Mary McCartney. The song appea
 red on the deluxe edition of Costello’s 2018 album\, Look Now. Look Now\
 , released in October 2018 by Concord Records\, was Costello's’ first co
 llection of new material in five years and his first with The Imposters in
  a decade. Costello worked with co-producer Sebastian Krys at studios in H
 ollywood\, New York City and Vancouver\, British Columbia\, to create an \
 "uptown pop record.” In addition to the songs Costello wrote\, the album
  included a collaboration with Carole King and three with Burt Bacharach\,
  who plays piano on two\, “Don’t Look Now” and “Photographs Can Li
 e.” In 2019\, Costello released the Purse EP\, consisting of four songs 
 containing songwriting collaborations with Burt Bacharach and Paul McCartn
 ey\, as well as musical settings of lyrics by Johnny Cash and Bob Dylan. I
 n the same year\, Costello was: presented a Lifetime Achievement Award for
  songwriting\, in Nashville by the Americana Music Association\; awarded a
 n O.B.E. (Officer of the Order of the British Empire) for his services to 
 music on the Queens Birthday Honours List\; and announced as a recipient o
 f a Hollywood Walk of Fame star for the class of 2020. Venue: Freeman Arts
  Pavilion. Presenter: Joshua M. Freeman Foundation.
DTSTAMP:20261028T122021Z
END:VEVENT
END:VCALENDAR