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X-WR-CALNAME:\"Fiber Arts Medley\": Hazel Bradshaw Beaumont
BEGIN:VEVENT
UID:239252024-10-02
DTSTART;VALUE=DATE:20241002
SEQUENCE:0
TRANSP:OPAQUE
DTEND;VALUE=DATE:20241003
LOCATION:12 Dodds Lane\nRehoboth Beach DE 19971
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=12 Dodds Lane\nRehoboth Bea
 ch DE 19971;X-APPLE-RADIUS=49;X-TITLE=12 Dodds Lane:geo:38.725028,-75.0858
 86
GEO:38.725028;-75.085886
SUMMARY:\"Fiber Arts Medley\": Hazel Bradshaw Beaumont
CLASS:PUBLIC
DESCRIPTION:“My life is now truly in the melting pot stage where all my\n
 experiences\, new and old\, physical and mental\, analytical and\nintuitiv
 e\, mundane\, and spiritual\, are coming together in a savory\nstew meldin
 g me into a mindful whole. Fiber is the medium in which I\nam working with
  to fine-tune my life. The joy in weaving allows me to\nexplore color rela
 tionships\, whether bold contrasts or tone-on-tone\,\nshadings that test t
 he edge of visual perception. In my work\, I am\ninterested in the connect
 ions between self\, emotion\, seasons\,\natmospheres\, and the time of day
 . My inspirations include the natural\nelements and the materials themselv
 es\, while the patterns of landforms\nand the atmospheric elements\, plays
  a key role in color and mood\nexpressed. In my work\, I am interested in 
 the connections between\nself\, emotion\, and time. I am intrigued by the 
 seasons\, atmospheres\,\nand the time of day. I try to recreate these natu
 ral occurrences\,\nevoking emotions that I associate with the use of color
 \, line\,\ntextures\, and tones. The lines suggest landscapes or other asp
 ects of\nnature. These techniques are very contemplative\, encouraging\,\n
 introspective and are constantly evolving with explorations in\nreflection
 \, geometric design\, delicate color tones\, and bold\ncontemporary patter
 ns\, woven into cylindrical ridges resulting in a\nthree-dimensional textu
 re on the woven surface. Other innovations I\nadd are the spontaneous and 
 free methods of coiled fibers. These works\nare essentially visual\, inste
 ad of representational\, as I look for\nimages and colors that transform a
 nd represent things that make me\nfree. Such feelings become more importan
 t as I continue to work with\nfibers and pigment. Finally\, I cherish aest
 hetically appealing\nmaterial effects and try to create works that use a s
 pecific process\nto provoke an experience. It is the pleasure of experimen
 tation that\nis the actual experience of feeling the tactile and the joy o
 f colors\nending against the back of our eyes. Such feelings become more\n
 important as I continue to work with fibers.” Venue: Rehoboth Art\nLeagu
 e.
X-ALT-DESC;FMTTYPE=text/html:“My life is now truly in the melting pot sta
 ge where all my experiences\, new and old\, physical and mental\, analytic
 al and intuitive\, mundane\, and spiritual\, are coming together in a savo
 ry stew melding me into a mindful whole. Fiber is the medium in which I am
  working with to fine-tune my life. The joy in weaving allows me to explor
 e color relationships\, whether bold contrasts or tone-on-tone\, shadings 
 that test the edge of visual perception. In my work\, I am interested in t
 he connections between self\, emotion\, seasons\, atmospheres\, and the ti
 me of day. My inspirations include the natural elements and the materials 
 themselves\, while the patterns of landforms and the atmospheric elements\
 , plays a key role in color and mood expressed. In my work\, I am interest
 ed in the connections between self\, emotion\, and time. I am intrigued by
  the seasons\, atmospheres\, and the time of day. I try to recreate these 
 natural occurrences\, evoking emotions that I associate with the use of co
 lor\, line\, textures\, and tones. The lines suggest landscapes or other a
 spects of nature. These techniques are very contemplative\, encouraging\, 
 introspective and are constantly evolving with explorations in reflection\
 , geometric design\, delicate color tones\, and bold contemporary patterns
 \, woven into cylindrical ridges resulting in a three-dimensional texture 
 on the woven surface. Other innovations I add are the spontaneous and free
  methods of coiled fibers. These works are essentially visual\, instead of
  representational\, as I look for images and colors that transform and rep
 resent things that make me free. Such feelings become more important as I 
 continue to work with fibers and pigment.\nFinally\, I cherish aesthetical
 ly appealing material effects and try to create works that use a specific 
 process to provoke an experience. It is the pleasure of experimentation th
 at is the actual experience of feeling the tactile and the joy of colors e
 nding against the back of our eyes. Such feelings become more important as
  I continue to work with fibers.” Venue: Rehoboth Art League.
X-MICROSOFT-CDO-ALLDAYEVENT:TRUE
DTSTAMP:20260701T155915Z
END:VEVENT
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