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VERSION:2.0
PRODID:SoDel
X-WR-CALNAME:Grace Potter
BEGIN:VEVENT
UID:71402021-07-11
DTSTART:20210711T230000Z
SEQUENCE:0
TRANSP:OPAQUE
DTEND:20210711T040000Z
LOCATION:31806 Lake View Drive\nSelbyville DE 19975
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=31806 Lake View Drive\nSelb
 yville DE 19975;X-APPLE-RADIUS=49;X-TITLE=31806 Lake View Drive:geo:38.465
 810,-75.112030
GEO:38.465810;-75.112030
SUMMARY:Grace Potter
CLASS:PUBLIC
DESCRIPTION:Described by Spin as “one of the greatest living voices in ro
 ck\ntoday\,” Grace Potter has not only played every major music festival
 \nfrom Coachella and Lollapalooza to Bonnaroo and Rock in Rio\, she’s\nc
 reated her own thriving music festival\, Burlington\, VT’s Grand\nPoint 
 North. Additionally\, she’s shared a stage with artists such as\nThe Rol
 ling Stones\, Willie Nelson\, Robert Plant\, the Allman Brothers\,\nNeil Y
 oung\, Jackson Browne\, Mavis Staples\, and The Roots to name just\na few.
  A three-time Grammy-nominated artist (two for 2019’s\n\"Daylight\,\" on
 e for her multiplatinum duet with Kenny Chesney)\, Potter\nhas also collab
 orated with the Flaming Lips for a Tim Burton film\, and\nwritten and prod
 uced music for film and TV\, including Disney’s\nanimated feature Tangle
 d and the ABC animated holiday special \"Prep &\nLanding: Naughty vs. Nice
 .\" In October 2019\, Grace released Daylight\,\nher second solo LP and fi
 rst for Fantasy Records. \"Daylight\" arrives\nafter a turbulent\, life-al
 tering four-year hiatus from music that had\nthe acclaimed singer-songwrit
 er contemplating whether she would ever\nrecord another album. Cathartic a
 nd emotionally raw\, \"Daylight\" is the\nresult of that arduous journey\,
  the most emotionally revealing\,\nmusically daring work of her career. 
 “I’ve always aimed to write\nsongs from a universal perspective\; so t
 hat anyone who heard my music\ncould relate\, but that actually made it ha
 rder for me to take\nownership of my own perspective. These songs were wri
 tten so I could\nprocess — and be accountable for — my own life experi
 ence\,”\nPotter says. “I had just pulled the ripcord on my whole life.
  It was\nan incredibly jarring\, private experience. When the dust settled
  a\nbit\, the last thing I wanted to do was tell the whole world about it\
 nthrough song. It was a very gradual process of re-framing music and\nits 
 purpose in my life. So\, when I finally started writing songs again\n— i
 t had to be for myself and myself alone.” Produced by her\nhusband Eric 
 Valentine\, \"Daylight\" took shape in the Topanga Canyon\nhome they’d r
 ecently settled into. Unsigned and entirely free of any\npressure to appea
 se\, Potter slowly carved out ideas and the two began\nlaying down tracks.
  Moving to Valentine’s Hollywood studio\, Barefoot\nRecording\, the song
 s came to life with the help of longtime Potter\ncollaborators including g
 uitarist Benny Yurco and drummer Matt Musty\,\nfriends Benmont Tench and L
 arry Goldings on keys and supreme\nvocalists\, Jess Wolfe and Holly Laessi
 g of the indie band Lucius.\nVenue: Freeman Arts Pavilion. Presenter: Josh
 ua M. Freeman Foundation.
X-ALT-DESC;FMTTYPE=text/html:Described by Spin as “one of the greatest li
 ving voices in rock today\,” Grace Potter has not only played every majo
 r music festival from Coachella and Lollapalooza to Bonnaroo and Rock in R
 io\, she’s created her own thriving music festival\, Burlington\, VT’s
  Grand Point North. Additionally\, she’s shared a stage with artists suc
 h as The Rolling Stones\, Willie Nelson\, Robert Plant\, the Allman Brothe
 rs\, Neil Young\, Jackson Browne\, Mavis Staples\, and The Roots to name j
 ust a few. A three-time Grammy-nominated artist (two for 2019’s \"Daylig
 ht\,\" one for her multiplatinum duet with Kenny Chesney)\, Potter has als
 o collaborated with the Flaming Lips for a Tim Burton film\, and written a
 nd produced music for film and TV\, including Disney’s animated feature 
 Tangled and the ABC animated holiday special \"Prep & Landing: Naughty vs.
  Nice.\" In October 2019\, Grace released Daylight\, her second solo LP an
 d first for Fantasy Records. \"Daylight\" arrives after a turbulent\, life
 -altering four-year hiatus from music that had the acclaimed singer-songwr
 iter contemplating whether she would ever record another album. Cathartic 
 and emotionally raw\, \"Daylight\" is the result of that arduous journey\,
  the most emotionally revealing\, musically daring work of her career. “
 I’ve always aimed to write songs from a universal perspective\; so that 
 anyone who heard my music could relate\, but that actually made it harder 
 for me to take ownership of my own perspective. These songs were written s
 o I could process — and be accountable for — my own life experience\,
 ” Potter says. “I had just pulled the ripcord on my whole life. It was
  an incredibly jarring\, private experience. When the dust settled a bit\,
  the last thing I wanted to do was tell the whole world about it through s
 ong. It was a very gradual process of re-framing music and its purpose in 
 my life. So\, when I finally started writing songs again — it had to be 
 for myself and myself alone.” Produced by her husband Eric Valentine\, \
 "Daylight\" took shape in the Topanga Canyon home they’d recently settle
 d into. Unsigned and entirely free of any pressure to appease\, Potter slo
 wly carved out ideas and the two began laying down tracks. Moving to Valen
 tine’s Hollywood studio\, Barefoot Recording\, the songs came to life wi
 th the help of longtime Potter collaborators including guitarist Benny Yur
 co and drummer Matt Musty\, friends Benmont Tench and Larry Goldings on ke
 ys and supreme vocalists\, Jess Wolfe and Holly Laessig of the indie band 
 Lucius. Venue: Freeman Arts Pavilion. Presenter: Joshua M. Freeman Foundat
 ion.
DTSTAMP:20261028T003317Z
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