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X-WR-CALNAME:\"Liminal Space\": Oil Paintings by Jinchul Kim
BEGIN:VEVENT
UID:239272024-10-02
DTSTART;VALUE=DATE:20241002
SEQUENCE:0
TRANSP:OPAQUE
DTEND;VALUE=DATE:20241003
LOCATION:12 Dodds Lane\nRehoboth Beach DE 19971
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=12 Dodds Lane\nRehoboth Bea
 ch DE 19971;X-APPLE-RADIUS=49;X-TITLE=12 Dodds Lane:geo:38.725028,-75.0858
 86
GEO:38.725028;-75.085886
SUMMARY:\"Liminal Space\": Oil Paintings by Jinchul Kim
CLASS:PUBLIC
DESCRIPTION:I am interested in blurring the boundaries between things that 
 we have\nconcluded in predated aesthetics. I am very interested in constru
 cting\nnewer languages that can embrace/unite these preconceived definitio
 ns\nwith innovative constructs. For this mission\, I attentively engage my
 \npicture-making process through inventive personal semiotics. These\nsemi
 otic connotations are melted into my work alongside the strong\npresence o
 f formal strategies. I use the formal approach as a binder\nto build a rob
 ust architecture for the painting\, whether the work is\ninvolved in abstr
 act or representational environments. I hope to\ngenerate a dynamic for th
 e viewer to participate in a game of\nreveal/conceal through newer composi
 tions and contrasting the firm\narchitecture of painting with the artifice
  of superficial beauty.\nConsequently\, I often mingle around two-dimensio
 nal formats to kinetic\nstructures and space to convey this creative freed
 om to merge these\nvarious presumptions around our lives. I often use figu
 rative elements\nas vehicles to intensify the presence of common ground be
 cause we are\nall human at the end of the day.   Venue: Rehoboth Art Lea
 gue.
X-ALT-DESC;FMTTYPE=text/html:I am interested in blurring the boundaries bet
 ween things that we have concluded in predated aesthetics. I am very inter
 ested in constructing newer languages that can embrace/unite these preconc
 eived definitions with innovative constructs. For this mission\, I attenti
 vely engage my picture-making process through inventive personal semiotics
 . These semiotic connotations are melted into my work alongside the strong
  presence of formal strategies. I use the formal approach as a binder to b
 uild a robust architecture for the painting\, whether the work is involved
  in abstract or representational environments. I hope to generate a dynami
 c for the viewer to participate in a game of reveal/conceal through newer 
 compositions and contrasting the firm architecture of painting with the ar
 tifice of superficial beauty. Consequently\, I often mingle around two-dim
 ensional formats to kinetic structures and space to convey this creative f
 reedom to merge these various presumptions around our lives. I often use f
 igurative elements as vehicles to intensify the presence of common ground 
 because we are all human at the end of the day.   Venue: Rehoboth Art Le
 ague.
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DTSTAMP:20260919T172243Z
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