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X-WR-CALNAME:Of Hares and Hope: An Artist Collaboration
BEGIN:VEVENT
UID:340212026-09-25
DTSTART;VALUE=DATE:20260925
SEQUENCE:0
TRANSP:OPAQUE
DTEND;VALUE=DATE:20260926
LOCATION:12 Dodds Lane\nRehoboth Beach DE 19971
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 86
GEO:38.725028;-75.085886
SUMMARY:Of Hares and Hope: An Artist Collaboration
CLASS:PUBLIC
DESCRIPTION:Works by Sarah Pavlik and Mark Harris September 25 through Octo
 ber 28\nOpening Reception: Friday\, September 25\, 2026 (5pm-7pm) Tubbs Ga
 llery\nArtistic collaboration can be a vital element in the creation of ar
 t\nand have engaged to bring new insights into our practice by conscious\n
 interchange of ideas\, practices and artistic vision with one another.\nTh
 e proposed exhibition is a product of that collaboration. Mark\nHarris is 
 a print maker and poet. Sarah Pavlik is a mixed media and\nfiber artist. M
 ark draws his inspiration from the process of\nprintmaking\, the graphic n
 ature and universality of the work as well\nas from the exploration of hop
 e in spite of hopelessness. Sarah\ncreates through quilt making\, fiber\, 
 and mixed media in search of\nbeauty in line\, shape\, color\, and surpris
 ingly\, hares. Both artists\ncan’t imagine their lives without the creat
 ive outlet of making\,\nexploring\, and playing. “What if?” is a famil
 iar phrase and inner\ndialogue in each of their pursuits. Sarah and Mark b
 egan a\ncollaboration early in 2025 to explore new ideas\, experiment with
  new\ntechniques and to add fresh perspectives to their art. What they did
 \nnot realize would be the excitement and surprise in each other’s\ninte
 rpretation of each other’s work. Their individual pieces have\nbeen enha
 nced by their frequent discussions\, diverse perspectives and\nvaried styl
 es. New techniques and mediums have continuously been\nexplored. Artists o
 ften work in isolation\, and this collaboration has\ngiven fresh ideas to 
 each of their practices. Both Mark and Sarah have\nbeen creating with thei
 r mediums for over 25 years. As an Episcopal\nPriest\, Mark has witnessed 
 human suffering and joy through the eyes of\ncommunities both domestically
  and internationally\, and in his artwork\,\nhe seeks to bring viewers som
 e sense of the remarkable resilience of\npeople who live in hope. He typic
 ally works in black and white and\nloves the graphic nature of the work. H
 e works to bring issues of\ndespair\, resistance\, and hope to light in hi
 s relief prints\, and he\nsearches to find expressions of hope despite hop
 elessness. These he\nsets to paper\, and now in collaboration with Sarah\,
  to cloth. When\nasked why he makes art\, it is difficult for him to come 
 up with a\nconcise answer. “It’s an odd thing\, almost an addiction. A
 ll I\nknow is I must do this. It is all practice.” It does seem to bring
 \nhim peace. Sarah began sewing as a child and turned to quilt making\nwhi
 le grappling with the stress of raising a child with severe\ndisabilities.
  Her work took her to another place in her head\; a place\nwhere problems 
 could be proposed and solved. It was gratifying. After\nmaking dozens of q
 uilts Sarah came upon a quilt artist named Nancy\nCrow and has been studyi
 ng with her since 2003\, spending the month of\nOctober each year since fi
 rst career retirement immersing herself in\nart practices with both Nancy 
 and other accomplished artists through\nworkshops in Ohio. She has since m
 oved into surface design of fabric\,\npainting\, and collage\, always comi
 ng back to fiber and stitch\ncomponents. Mark and Sarah’s collaboration 
 began with an exchange of\nimages and their current work in progress. Mark
  has been exploring the\ndynamics of despair\, resistance and hope through
  a series of\nwoodblocks and linocuts\, accompanying text and handmade boo
 ks. Sarah\nhas most recently been exploring abstract painting with dyes\, 
 paints\,\nand soy-based pigment\, along with a series of expressive hares.
  Each\nof them viewed each other’s work and came up with alternative ide
 as\nto take the work further within their own discipline. From that\nbegin
 ning the collaboration has taken on an increasingly playful and\ncomplex l
 evel of interchange. Venue: Rehoboth Art League.
X-ALT-DESC;FMTTYPE=text/html:Works by Sarah Pavlik and Mark Harris Septembe
 r 25 through October 28 Opening Reception: Friday\, September 25\, 2026 (5
 pm-7pm) Tubbs Gallery Artistic collaboration can be a vital element in the
  creation of art and have engaged to bring new insights into our practice 
 by conscious interchange of ideas\, practices and artistic vision with one
  another. The proposed exhibition is a product of that collaboration. Mark
  Harris is a print maker and poet. Sarah Pavlik is a mixed media and fiber
  artist. Mark draws his inspiration from the process of printmaking\, the 
 graphic nature and universality of the work as well as from the exploratio
 n of hope in spite of hopelessness. Sarah creates through quilt making\, f
 iber\, and mixed media in search of beauty in line\, shape\, color\, and s
 urprisingly\, hares. Both artists can’t imagine their lives without the 
 creative outlet of making\, exploring\, and playing. “What if?” is a f
 amiliar phrase and inner dialogue in each of their pursuits. Sarah and Mar
 k began a collaboration early in 2025 to explore new ideas\, experiment wi
 th new techniques and to add fresh perspectives to their art. What they di
 d not realize would be the excitement and surprise in each other’s inter
 pretation of each other’s work. Their individual pieces have been enhanc
 ed by their frequent discussions\, diverse perspectives and varied styles.
  New techniques and mediums have continuously been explored. Artists often
  work in isolation\, and this collaboration has given fresh ideas to each 
 of their practices. Both Mark and Sarah have been creating with their medi
 ums for over 25 years. As an Episcopal Priest\, Mark has witnessed human s
 uffering and joy through the eyes of communities both domestically and int
 ernationally\, and in his artwork\, he seeks to bring viewers some sense o
 f the remarkable resilience of people who live in hope. He typically works
  in black and white and loves the graphic nature of the work. He works to 
 bring issues of despair\, resistance\, and hope to light in his relief pri
 nts\, and he searches to find expressions of hope despite hopelessness. Th
 ese he sets to paper\, and now in collaboration with Sarah\, to cloth. Whe
 n asked why he makes art\, it is difficult for him to come up with a conci
 se answer. “It’s an odd thing\, almost an addiction. All I know is I m
 ust do this. It is all practice.” It does seem to bring him peace. Sarah
  began sewing as a child and turned to quilt making while grappling with t
 he stress of raising a child with severe disabilities. Her work took her t
 o another place in her head\; a place where problems could be proposed and
  solved. It was gratifying. After making dozens of quilts Sarah came upon 
 a quilt artist named Nancy Crow and has been studying with her since 2003\
 , spending the month of October each year since first career retirement im
 mersing herself in art practices with both Nancy and other accomplished ar
 tists through workshops in Ohio. She has since moved into surface design o
 f fabric\, painting\, and collage\, always coming back to fiber and stitch
  components. Mark and Sarah’s collaboration began with an exchange of im
 ages and their current work in progress. Mark has been exploring the dynam
 ics of despair\, resistance and hope through a series of woodblocks and li
 nocuts\, accompanying text and handmade books. Sarah has most recently bee
 n exploring abstract painting with dyes\, paints\, and soy-based pigment\,
  along with a series of expressive hares. Each of them viewed each other
 ’s work and came up with alternative ideas to take the work further with
 in their own discipline. From that beginning the collaboration has taken o
 n an increasingly playful and complex level of interchange. Venue: Rehobot
 h Art League.
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DTSTAMP:20260812T224831Z
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