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X-WR-CALNAME:Wine Routes: Work by David Hollander
BEGIN:VEVENT
UID:271342025-10-26
DTSTART;VALUE=DATE:20251026
SEQUENCE:0
TRANSP:OPAQUE
DTEND;VALUE=DATE:20251027
LOCATION:12 Dodds Lane\nRehoboth Beach DE 19971
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=12 Dodds Lane\nRehoboth Bea
 ch DE 19971;X-APPLE-RADIUS=49;X-TITLE=12 Dodds Lane:geo:38.725028,-75.0858
 86
GEO:38.725028;-75.085886
SUMMARY:Wine Routes: Work by David Hollander
CLASS:PUBLIC
DESCRIPTION:September 26 through October 26\, 2025 Opening Reception: April
  4\, 2025\n(5pm-7pm) Tubbs Gallery In a series of “vineyard-scapes” Da
 vid\nHollander presents us with uniquely personal remembrances of his\next
 ensive travels through the great wine regions of the Old World and\nNew Wo
 rld. Whether the images were captured in a sketchbook\, on film\nor simply
  imprinted in memory they became a stockpile for later\ndevelopment. “I 
 always thought of myself as a figurative artist\,”\nhe says. “In fact\
 , I still do\, but at a certain point I found myself\ncalled to explore la
 ndscape paintings. At first\, I was drawn to the\ntechnical challenges but
  for me the true value of my work is the\ndialogue between the formal aspe
 ct and the emotive response I have to\nthe image and hopefully elicit in a
  viewer.” A painting may have its\ngenesis in a specific time and place\
 , but the real subject is the\nmemory of the initial sensation of the enco
 unter. As the work\nprogresses it evolves and takes on a life of its own. 
 Capturing the\nplay of sunlight across a row of vines or field of lavender
  is no more\nimportant than the sense of wonder felt when looking down fro
 m\, or up\nat\, a hot air balloon over Napa Valley. Venue: Rehoboth Art Le
 ague.
X-ALT-DESC;FMTTYPE=text/html:September 26 through October 26\, 2025 Opening
  Reception: April 4\, 2025 (5pm-7pm) Tubbs Gallery In a series of “viney
 ard-scapes” David Hollander presents us with uniquely personal remembran
 ces of his extensive travels through the great wine regions of the Old Wor
 ld and New World. Whether the images were captured in a sketchbook\, on fi
 lm or simply imprinted in memory they became a stockpile for later develop
 ment. “I always thought of myself as a figurative artist\,” he says. 
 “In fact\, I still do\, but at a certain point I found myself called to 
 explore landscape paintings. At first\, I was drawn to the technical chall
 enges but for me the true value of my work is the dialogue between the for
 mal aspect and the emotive response I have to the image and hopefully elic
 it in a viewer.” A painting may have its genesis in a specific time and 
 place\, but the real subject is the memory of the initial sensation of the
  encounter. As the work progresses it evolves and takes on a life of its o
 wn. Capturing the play of sunlight across a row of vines or field of laven
 der is no more important than the sense of wonder felt when looking down f
 rom\, or up at\, a hot air balloon over Napa Valley. Venue: Rehoboth Art L
 eague.
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DTSTAMP:20260627T064638Z
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